- Black and white
- One camera angle, stay in one position through out the whole thing
1920's - St Louis Blues
- More than one camera angle
- Camera panned across the screen, it moved all over the place and they focus on the main singer.
- Still in black and white no colour.
- A lot more action, scenery and more actors.
1950's - Jailhouse rock, Elvis Presley
- Dancing and was all choreographed.
- Set - in a jail so they have a story for the video.
- Black and white.
- Better sound.
- Lots more camera angles.
1960-'s Bob Dylan, Subterranean homesick blues
- Story line.
- One main focus point.
- Black and white, but clearer quality.
- Sound is clearer.
- Abstract.
1960's - Strawberry fields forever, The Beatles
- Colour
- Much clearer sound
- Lots of lights
- Set outside
- Much more editing has been involved.
- Effects.
1970's - Bohemian rhapsody, Queen
- Lighting has improved
- Fades and cuts used.
- Editing has improved greatly.
- Much more colour yet the video is very dark in areas.
- Recored as if they are on stage performing.
- Uses silhouettes.
- Very long.
- Glam/Rock - make up, satin, costumes
- Much more creative.
1970's - Jocko Homo, Devo
- Electric music
- Lot's of characters.
- Clever editing.
- Futuristic.
- Crazy.
1980's - David Bowie, Ashes to Ashes
- Glam rock
- Uses a green screen.
- Uses lots of characters.
- Changes from colour to black and white and then back to colour.
- A lot of different scenery.
- Things got weird.
- Experimental.
1980 - Video Killed The Radio Star, The Buggles
- Comic effects.
- Futuristic.
- So many different uses of the camera.
1990's - Stop, Spice Girls
- Auto tune.
- Choreographed dances.
- Pop.
1990's - Nirvana, Heart Shaped Box
- Rock/Grunge.
- Two different sides of the video, light happy side and then a dark side.
- Focus on Kurt Cobain.
- Animation.
- Religious.
2000's - Blink 182, All The Small Things.
- Parody.
- Dancing.
- Editing is good.
- Colourful, fun, happy.
- Big budget.
2016's - Future, The Weekend
- Explicit language
- Dark
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